At this link hosted by K(not) a major artistic project from Arts Gen, that discusses the impacts of ecological justice and climate colonisation on diasporic and first nations communities, I share a non-linear essay and an experimental soundscape of field recordings (best listened to on headphones). The work was commissioned and published in 2022.

The k(not) project reflects upon the way climate change will and has already created major public health impacts for our communities and provides a platform to undertake slowed-down and more expansive thinking in order to seek alternative strategies to our current crisis that incorporates food and land sovereignty alongside greater reflection upon the ongoing racialised violence that is inherent within climate colonisation itself.

To access the work visit this link. For a description, see below:

Rasha Tayeh, 2022

Land, 1000 words. In this non-linear essay, Rasha Tayeh shares an intimate reflection from her lived experience and draws on the parallels of settler-colonial projects, occupying Palestine and Aboriginal Nations in the continent now known as Australia.  Her words are presented in vignettes, as thoughts brewing, while making a cup of tea, or walking along the Merri Creek.

Water, 3:42 mins, experimental soundscape of field recordings of making a cup of tea merged with ambient sounds of the Merri Creek on Wurundjeri Country.

Rasha Tayeh acknowledges the Traditional Owners of the land on which she currently lives, works and creates, Narrm; the Wurundjeri Woi Wurrung and neighbouring Boonwurrung Peoples of the Kulin Nation.